Curatorial

Corita Kent: where have all the glowers gone was curated for Museum Penzberg – Sammlung Campendonk in 2024, the second institutional exhibition of Kent's work in Germany. The exhibition featured 60 works and archival materials spanning four decades, with loans from the Corita Art Center in Los Angeles, kaufmann repetto in New York and Milan, Circle Culture Gallery in Berlin, and a private collection in Munich. The show traced Kent's evolution from early figurative and religious imagery through her vibrant text-based serigraphies of the 1960s and 70s to the quiet watercolors of her final years. The exhibition was accompanied by a catalogue published by Museum Penzberg. 

Magic + Cool: Malerei der Jahrtausendwende was co-curated by Kristina Lovaas and museum director Annette Vogel at Museum Penzberg – Sammlung Campendonk in 2023–24. The exhibition featured nearly 90 works by more than 25 artists including Philip Guston, André Butzer, Jonathan Meese, Albert Oehlen, Günther Förg, Mike Kelley, Daniel Richter, Sylvie Fleury, and Huma Bhabha, organized across seven rooms into six thematic sections including "Dadaism and Punk in Post-9/11," "Occult Practices and Disney Cartoons," "Ghosts and Spirits: In the Eastern European Diaspora," and "Neo-Expressionism, Coolness and Magic." The show explored how painting at the turn of the millennium fused high and subcultures, drawing on Expressionism, Surrealism, and Dada to address the upheavals of globalization, the digital revolution, and the aftermath of 9/11.

To Let Things Slide (2017) was co-curated by Kristina Lovaas and Alana Alireza at Lovaas Projects, Munich, featuring new works by 17 artists including Sylvie Fleury, Liz Craft, Brendan Fowler, Fabian Marti, and Women's History Museum. The exhibition challenged the assigned fragility of artworks by requiring every piece to be sent to the gallery by standard post and exhibited exactly as received, with no attempts at restoration, even if broken in transit. The show confronted the fallacy that art exists outside its own history and status as an object.

Not For Sale (2016–17) was presented at Lovaas Projects, Munich, bringing together works by Peter Doig, Katharina Fritsch, Matias Faldbakken, Christina Forrer, Mark Leckey, Jordan Wolfson, Nate Lowman, Linder, and others. The exhibition played on the tension between the commercial gallery and the private collection, presenting a curated selection of 15 artists working across painting, sculpture, print, and video.